Mirrorless Camera Technology and Expanding Opportunities for Creative Expression

Canon just announced its newest mirrorless camera, the R5, causing the usual online buzz among photographers. One band of naysayers has me perplexed - nature photographers who use digital equipment but say things like “Never mirrorless!” in response to such announcements. Even though mirrorless cameras have been out for years and are used by many photographers, these negative attitudes persist. Given my own recent experience with a mirrorless camera, my response is “Why not mirrorless?” As I share below, some features specific to mirrorless cameras help remove barriers to creative expression and have enabled me to create photographs that I previously would have passed up due to technological limitations of my equipment.

I certainly do not think that the newest and best technology is necessary to create meaningful, inspiring, and technically sound photographs. And, for people with limited financial resources, spending money on experiences and time in the field is almost always going to be a better investment than buying a new camera. A camera is a tool and a skilled photographer will be able to create with a range of equipment. However, if new technology helps expand opportunities for creative expression, why not have an open mind?

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A Slice of Focus: Lessons for Photographing Plants Using Shallow Depth of Field

Below, you will find a snippet of this recent article published on the Nature Photographers Network - click here to read the full post >>>

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Photographing small subjects opens up a world of opportunity for nature photographers. By seeking out nature’s details, a photographer can explore a world of plants, patterns, textures, and abstract subjects that are often overlooked or seen in a less interesting way by the human eye. In this article, we will discuss one way of photographing small scenes: using shallow depth of field to render only a small part of your subject in focus. This article focuses on plants and leaves but you can use these lessons on any small subject you encounter in nature.

Use Shallow Depth of Field to Simplify and Create Abstractions

For many landscape photographers, embracing shallow depth of field and the out of focus elements that come with it can be a major shift in mentality. When photographing small subjects like plants or flowers, shallow depth of field can often transform a subject from the literal to the abstract. Generally, using greater depth of field renders a subject more literally with all of its details more obvious to the viewer. Shallow depth of field, on the other hand, often lends a more simple, dreamy, and abstract quality to a photo. Instead of photographing petals or stems or leaves, you are photographing lines and shapes. Additionally, the abstract renditions that can emerge make shallow depth of field an excellent simplifying technique when photographing a chaotic subject.

Read the rest of this article on the Nature Photographers Network >>>

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5 Tips on Photographing Abstract Subjects in Nature

When thinking about nature photography, many people instantly think of postcard-style scenes: grand landscapes under colorful skies. From my perspective, however, nature photography can be a much more expansive pursuit when considering the opportunities available with smaller scenes, including abstract renditions of natural subjects. In this article, I share some tips on learning to create abstract photographs along a continuum, from photos with abstract concepts that amplify an obvious subject to fully abstract photographs in which the scale and subject are difficult to discern.

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Recent Writings: Scouting Tips, Seeing Beyond the Literal, and More

Photographers Jay and Varina Patel have worked hard over the last few years to develop their Visual Wilderness website into an excellent resource for landscape and nature photographers. I started writing as a guest author for Visual Wilderness last year but have not been very good about sharing my articles with our blog audience. So, here is a quick summary of the four articles I have written for Visual Wilderness, with links to the full content over on their site. 

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